Jayasurya steps into the role of Antony Yakuza, a once-mighty gangster now reduced to menial tasks under his boss's son. He teams up with Nihal Nizam's cyber scammer roommate to pull off one last heist, hoping to reclaim his lost glory. The plan goes sideways when Vinayakan enters the picture, dragging the story from a standard crime caper into supernatural territory.
The premise—aging gangsters meeting inexplicable forces—sounds ripe for dark comedy, but the execution chokes on its own potential. Director Prince Joy and writer James Sebastien set up witty scenarios in the first half, yet the laughs fade fast as the plot thickens. Introducing characters like Sunny Wayne’s boss feels less like suspense and more like narrative clutter.
By the intermission, the audience gets a glimpse of where the story is heading, but the momentum has already stalled. The second half drags, turning what should be a breezy two-hour watch into a tedious slog. It’s a rare instance where a talented cast can’t save a script that refuses to commit to its tone.
Vinayakan is the undeniable highlight, carrying Rejimon with such charisma that he holds the film together through the slackest moments. Jayasurya is versatile, but his character lacks depth, ending up frivolous rather than funny. Supporting actors like Baby Jean and Indrans are wasted in roles that feel tacked on for subplots that never breathe.
Titans starts with a spark but dies before it becomes a flame. If you enjoy slow-burn mysteries, you might find the first half watchable, but don’t hold your breath for the payoff.